Tere O'Connor

BLEED

BLEED is a large work that encompasses O’Connor’s love of complexity and layering in dance. It is the culminating work of a two-year project during which he constructed three other ... More

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About

About This Performance

BLEED is a large work that encompasses O’Connor’s love of complexity and layering in dance. It is the culminating work of a two-year project during which he constructed three other pieces, Secret Marypoem and Sister, all from very different source material and each with an entirely different cast. He then collapsed these into this fourth work, simultaneously remembering and forgetting the previous dances. All 11 of the magical performers from the other works are here yet the movement material is gone. Ghosts of the other dances resonate through the new work and shape its form but they are subterranean and exert their pressure on this new construction from the caves of memory.

  • Performance: Nov 21, 2014

  • Venue: On the Boards | Seattle, WA

  • Duration: 60 min

  • Posted: Jul 15, 2015

Cast & Credits

Performers

Tess Dworman
devynn emory
Natalie Green
Michael Ingle
Ryan Kelly
Oisín Monaghan
Cynthia Oliver
Heather Olson
Mary Read
Silas Riener
David Thomson

Composition/Sound Design: James Baker
Chris Gross, cello
Julia Read, voice
James Baker, all other instruments and vocals
Lighting Michael O’Connor
Costume Design Walter Dundervill


About The Artist

Tere O’Connor Dance O'Connor’s choreography finds its logic outside the realm of “translation,” operating in a sub-linguistic area of expression. He views dance as a system with its own properties; an abstract documentary form that doesn’t search to depict. The lenses of western culture, spoken language or dance history, often used to “interpret” dance, are subsumed into layers of the work and decentralized. In addition to a great love of movement and a deep commitment to choreographic craft and design, more philosophical urges animate the work. From his earliest efforts, the complex entanglement of passing time, metaphor, constant change, tangential thought, and memory have ignited an exploration into the nature of consciousness for O’Connor. Choreography is a process of observation which includes multiple, disparate elements that float in and out of synchronicity. Engaging in dance as a life style constitutes a move away from the narrow social constructs we’ve created to standardize human behavior.

O’Connor’s astounding performers and renowned collaborators constitute a family of artists who are dedicated to expanding the potency of dance as a serious art form. His boldly individualist approach to choreography has contributed new thought to the form that resonates throughout its theoretical discourse. For O’Connor, meaning is arrived at in collaboration with the audience and its endlessly diverse referential world. It is, therefore, fluid and forever open-ended.

Throughout history and across diverse cultures, dance has long proffered a value system in which narrative underpinnings were dominant anchoring dances to prescribed readings.

He is committed to the power of dance as a sub-linguistic area of expression and revels in its ability to braid together the personal and the universal.

Tere O’Connor is Artistic Director of Tere O’Connor Dance. He has created over 40 works for his company and toured these throughout the US, Europe, South America and Canada. He has created numerous commissioned works for other dance companies, including the LyonOpera Ballet, White Oak Dance Project and solo works for Mikhail Baryshnikovand Jean Butler. O’Connor received a 2013 Doris Duke Performing Artist Award, is a 2009 United States Artist Rockefeller Fellow, and a 1993 Guggenheim Fellow among numerous other grants and awards. His work has been supported by the National Endowment for the Arts, New England Foundation for the Arts/National Dance Project, The MAP Fund, and many others. He has received three “BESSIES”, New York Dance and Performance Awards. In October 2014, he was inducted into the American Academy of Arts and Sciences.

An articulate and provocative educator, O’Connor has taught at festivals and universities around the globe for 25 years. He is a Center for Advanced Studies Professor of Dance at the University of Illinois at Urbana-Champaign where he lives for one semester each year. O’Connor is an active participant in the New York dance community mentoring young artists, teaching, writing, and volunteering in various capacities.

Photo: Tere O'Connor