Christopher K. Morgan

Native Intelligence/Innate Intelligence

Native Intelligence/Innate Intelligence incorporates dance, Hawaiian chant and percussion, original compositions for cello, and multimedia scenic design to examine ancestry, home, and belonging.... More

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About this performance

Native Intelligence/Innate Intelligence

Native Intelligence/Innate Intelligence incorporates dance, Hawaiian chant and percussion, original compositions for cello, and multimedia scenic design to examine ancestry, home, and belonging. Native Intelligence/Innate Intelligence creates a comprehensive picture of the multiplicity of identities we all navigate, and invites the audience to reflect on their perception of Native people, their own identities, and their instinct. This work asks us each to consider who we are, to reflect on where we come from, and to wonder about ways of knowing that are both inherited and learned.

“The company and I are sincerely grateful to On the Boards for their deep support of Native Intelligence/Innate Intelligence, and we’re thrilled that the Seattle community will be the first to see the fully realized work."

–Christopher K. Morgan

The research for Native Intelligence/Innate Intelligence began by questioning the word native, an identity that has become politically charged, has limiting vagueness, and has long been a weapon of colonization. The work explores nature versus nurture, the origins of instinct, what aspects of our identities are shaped by our environment, and if our genes influence who we become. Looking to genetics inspired Christopher Morgan to incorporate a lei making technique whose twisting spirals are reminiscent of the double helix of DNA. The metaphor of lei as strands of our DNA informed the scenic design by Brenda Mallory, and how the work looks to weave together stories from varied identities as a way to build bridges that celebrate difference and respect unique individuality.

With live music by electric cellist Wytold and Hawaiian chanter/percussionist Patrick Makuakāne, projection design by Kelly Colburn, lighting by Peter Leibold, and costuming by Marques Hanalei Marzan, this work creates a comprehensive picture of the multiplicity of identities we all navigate and invites audiences to reflect on their perception of Native people, their own identities, and instinct. Joining long-time company dancers Tiffanie Carson, Abby Farina, and Deontay Gray are new company members Jamison Curcio and frequent collaborator Matthew Cumbie.

"All of the artistic collaborators behind the project have nurtured it to fruition in ways I never could have imagined when we started developing it in 2019. Throughout the past several years of global unrest, convening to continue the creative process was an anchor for all of us. In addition to the challenges brought by the pandemic, an increased commitment to enact racial and social justice forced us to re-evaluate how to safely and equitably work together. I hope audiences can feel the bonds that we have grown with one another in this extended process, and see some of their own stories reflected in ours."

–Christopher K. Morgan

Presenters/Sponsors

The presentation of Christopher K.Morgan & Artists was made possible by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and the Mellon Foundation. Native Intelligence/Innate Intelligence is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by Maui Arts & Cultural Center, Dance Place, Pa’i Foundation and NPN. The Creation & Development Fund is supported by the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, and the National Endowment for the Arts (a federal agency). For more information: www.npnweb.org

Native Intelligence/Innate Intelligence received development support through creative residencies at the National Center for Choreography at the University of Akron, Bethany Arts Community, the Emerging Media and Performing Arts Center (EMPAC) in Troy, New York and a Social Impact Residency at The John F. Kennedy Center for the Performing Arts.

Thanks to the following people whose creative input helped shape this work: Kyle Lang, Elsie Kaleihulukea Ryder, Ellie van Bever, Annie Choudhury, Christy Bolingbroke, Ashley Ferro-Murray, Leilehua Lanzilotti, Colleen Furukawa, Sarah Beth Oppenheim, Sarah Lewitus, Anthony Alterio, Shannon Braine.

  • Performance: April 13-16, 2022

  • Venue: On the Boards, Seattle, WA

  • Duration: 60 minutes

  • Posted: May 20, 2025

Cast & Credits

Concept, Choreography, and Performance Christopher K. Morgan (he/him)
Performers and Creative Collaborators Tiffanie Carson (she/her), Matthew Cumbie (he/him), Jamison Curcio (she/her), Deontay Gray (he/him), Abby Farina (she/her)
Original score and performance Wytold (he/him)
Music score, performance, and Hawaiian Cultural Consultant Patrick Makuakāne (he/him)
Lighting Design Peter Leibold (he/him)
Projection Design Kelly Colburn (she/her)
Projection Design Associate Cinthia Chen (she/her)
Stage Manager Sarah Chapin (she/her)
Scenic Design Brenda Mallory (she/her)
Costume Design Marques Marzan (he/him)
Photos Jonathan Hsu and Shannon Braine

About The Artist

Christopher Kaui Morgan (he/him) is a choreographer, performer, educator, facilitator, curator, and arts administrator whose Native Hawaiian ancestry and wide-ranging international performance career influence all aspects of his work.

As a choreographer, he creates performances that synthesize dance, storytelling, original music, and multimedia design to explore identity, social, and cultural issues. Christopher founded dance company CKM&A, in 2011; the same year Dance Magazine profiled him as one of six breakout choreographers in the United States. His choreography has been performed in 22 countries on 5 continents and received support from Creative Capital, New England Foundation for the Arts, National Performance Network, Dance USA, Native Arts & Cultures Foundation, and Western Arts Alliance. In January of 2024 he was named Artistic Director of Malashock Dance, where he began his performing career in 1995.

Known as a thoughtful advocate for cultural integrity, inclusivity, and diverse representation in the studio and on stage, Christopher's service work across the national performing arts field is extensive. Christopher was nominated by President Joseph R. Biden and confirmed by Congress on March 15, 2022 to be a member of the National Council on the Arts. He regularly serves on grants and awards review panels, provides pro-bono and low cost consulting for independent artists and small arts organization, and is a frequent speaker and host of in person and virtual panels and discussions. He serves on the board of the National Performance Network, the Association of Performing Arts Professionals’ Equitable Partnership Working Group, the Western Arts Alliance's Advancing Indigenous Performance Committee, the Board of AHAS (Archive for Health, Arts and Spirit) , and co-chaired the 2023 and 2024 Association of Performing Arts Professionals’ Annual Conference in New York.

Christopher served as Vice President of Programming at the Maui Arts & Cultural Center from 2022-23, curating dozens of music, dance, and theater performances annually, overseeing the Schaefer International Gallery, and a robust arts education program that serves thousands of Hawai'i youth, adults, and arts educators. From 2017-21 he served as Executive Artistic Director of Dance Place in Washington, D.C. stewarding the organization through the COVID-19 pandemic and its economic impact by maintaining the entire 23 person staff with no layoffs or furloughs and continuing to pay artists and teachers. He oversaw the curation of 35+ weekends of performances and artist-centered projects annually, a school for youth and adults, a 50 person staff & faculty, and Dance Place’s role as a neighborhood community arts center & nationally prominent performing arts presenter.

Since 2006 Christopher has directed Art Omi: Dance, an annual collaborative residency for international choreographers in New York, shaping the program's unique approach to cross cultural collaboration and peer-to-peer mentorship.
Teaching credits include American University (2011-14), the BA and MFA programs at the University of Maryland (2014-17) and residencies at over 20 conservatories and institutions of higher learning in the United States and abroad. He lives on Kumeyaay land in what is also called San Diego, CA with his husband, opera director Kyle Lang.
christopherkmorgan.com