Elisa Harkins
Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ
Different histories, artistic/cultural educations, and experiences fuse together to create a new form of dance that you don’t want to miss! ... More
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About this performance
Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ
Different histories, artistic/cultural educations, and experiences fuse together to create a new form of dance that you don’t want to miss!
RADIO III / ᎦᏬᏂᏍᎩ ᏦᎢ is an indigenous futuristic concert, a beautiful and uncomfortable dance performance and a perverse triangle of shifting power that seeks to be unfaithful to both minimalism and postmodern dance’s claims to so-called “neutrality”. In this work, we seek to live, layer and situate form in our bodies, as these evoke past, present and future possibilities.
Choreographed and performed by Hanako Hoshimi-Caines, Zoë Poluch and Elisa Harkins, and music composed by Elisa Harkins, Radio III was borne in part from our common interest in minimalism in art and music. We asked: how can we work on the performativity and spatial principles of minimalism while questioning the universalism associated with this aesthetic. We made a dance that haunts the recognizable toolbox of abstraction, form, repetition and pattern by striving to make visible what has been kept invisible in colonial systems of recognition and aesthetics.
In relation to questions of invisibility/visibility, simultaneity and pluralization, this work explores ways of displacing and situating western contemporary dance and theory, making it an “as well” and a “next to”. In creating the piece, we did not look for a universal hybrid aesthetic but hoped to create a particular form from our desire to bring our different histories, artistic and cultural educations and experiences together with sensitivity and inquisitiveness.
The intention of Radio III, a larger work that includes Elisa Harkins’ solo Wampum performance, is to create a metaphorical peacekeeping agreement between the performers in the work as well as with people watching the piece, regardless of tribe or race.
Performance: September 22-24, 2022
Venue: On the Boards, Seattle, WA
Duration: 55 minutes
Posted: May 20, 2025
Cast & Credits
Created by | Hanako Hoshimi-Caines, Zoë Poluch and Elisa Harkins |
Music by | Elisa Harkins |
Produced by | Hanako Hoshimi-Caines and Zoë Poluch |
Lighting Design | Paul Chambers |
Costumes | Jade Tong Cuong |
International Representation and Production | Norberg Management |
Production coordinator | Tiera Joly Pavelich |
Technical Direction | Öykü Önder |
Sound | Joel Lavoie |
Rehearsal Direction | Justin De Luna |
Conversation partners | Ivanie Aubin-Malo, Maria Kefirova, k.g. Guttman, James Goddard, Katie Ward |
Coproduction partners | MAI, MDT, Dance Victoria |
Made possible with the support of | Conseil des Arts du Canada, Kulturrådet/Swedish Arts Council, Swedish Arts Grants Committee, Tulsa Artist Fellowship, The Stable and the Agora de la Danse. |
About The Artist
Elisa Harkins (b.1978, Cherokee, Muscogee) is an artist, singer, electronic music composer, and curator. Her work is concerned with the body, language revitalization, and Indigenous music. She has exhibited and performed at Crystal Bridges, The Getty, Portland Institute of Contemporary Art, MoMA, Spoleto Festival, and REDCAT. Harkins has received awards from Creative Capital, the Foundation for Contemporary Arts, the Harpo Foundation, and the Mid-America Arts Alliance. In addition to her artistic practice, she serves as a visiting lecturer at various institutions, fostering dialogue around Indigenous music and arts. Harkins is an enrolled member of the Muscogee Nation and lives and works on the Muscogee Reservation.
elisaharkins.org
