Miguel Gutierrez
Super Nothing
How can a dance speak to the overwhelming and constant grief that undergirds our lives?... More
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About
About this performance
Super Nothing
How can a dance speak to the overwhelming and constant grief that undergirds our lives?
Super Nothing is a new dance performance by Miguel Gutierrez that works with archive to see how our past can provide a blueprint for a more rigorous honesty in the present. The piece is danced by performers from New York and Los Angeles.
How do the dynamics of an art-making process reflect or deny the dynamics of life outside the studio? How is choreography a reflection of the desires, insecurities, and personal investments of the people in the room? How can a dance speak to the overwhelming and constant grief that undergirds our lives?
bell hooks writes that, “Moving, we confront the realities of choice and location.” Thinking about movement in both the dance and geographic sense of the word, this piece engages with our ideas about place/home, time, history, and the strength and failings of “community.”
Performance: May 1-3, 2025
Venue: On the Boards, Seattle, WA
Duration: 1 hour 13 minutes
Posted: Dec 6, 2025
Cast & Credits
| Choreographer, Performer, Sound Design, Text, Costumes | Miguel Gutierrez |
| Performers/Collaborators | Jay Carlon, Evelyn Lilian Sanchez Narvaez, Justin Faircloth, Wendell Gray II |
| Lighting Designer | Carolina Ortiz |
| Composer | Rosana Cabán |
| Costume Designer | Jeremy Wood |
| Dramaturgical Assistant | Stephanie Acosta |
| Production Stage Manager | Cat Urquhart |
| Manager | Michelle Fletcher |
| Additional movement contributors | Ajani Brannum, Marty Kudelka, Kathryn Hunter |
About The Artist
Miguel Gutierrez (he/him) is a choreographer, music artist, writer, visual artist, educator, podcaster, community advocate, and Feldenkrais Method practitioner living between Lenape/Canarsie land, colonially known as Brooklyn, NY, and Tongva and Gabrielino land, colonially known as Los Angeles, CA. His work centers attention as a material form and as a means to unravel normative belief systems. He creates empathetic and irreverent spaces for QTPOC folx (including himself) to dream, find agency, and process grief. His strategies include, as Siobhan Burke has written in The New York Times, “trenchant, darkly funny structural critiques, addressing the faults in the very systems that undergird his artmaking.” His work has been presented nationally and internationally in venues such as Festival d’Automne/Paris, the Walker Art Center, and in the 2014 Whitney Biennial. He is a recipient of a Guggenheim Fellowship, United States Artists Fellowship, Foundation for Contemporary Arts Award, four NY Dance and Performance “Bessie” Awards, and a 2016 Doris Duke Artist Award. He is an Associate Professor of Choreography at UCLA in the department of World Arts and Cultures/Dance, where he also serves as Vice Chair for the MFA in Choreographic Inquiry.
Reviews
“Subversive Humanist”
by Xavier Lopez for Public Display Art | April 10, 2025
Miguel Gutierrez on praxis, Super Nothing, and having a heart while being a bitch