Opposing Forces utilizes tropes of contemporary performance to expose fears around the feminine in our culture through the hyper masculine dance style of Breaking. With curiosity, ... More
About this performance
Opposing Forces utilizes tropes of contemporary performance to expose fears around the feminine in our culture through the hyper masculine dance style of Breaking. With curiosity, vulnerability, and power, five world-class B-Boys uncover binary perceptions of gender using a range of dance contexts: battling, commercial dance, and cyphering. Featuring Fever One of Rocksteady Crew, Brysen “Just Be” Angeles of Massive Monkees, Alfredo “Free” Vergara of Circle of Fire/Soul Shifters, Mozes Lateef Sa’Leem of Circle of Fire/Soul Shifters, Michael O’Neal Jr of Beat Hippies/CHPT 1, an original score played live by WD4D, stage design by Ben Zamora, and lighting design by Amiya Brown.
Performance: Oct 24, 2014
Venue: On the Boards | Seattle, WA
Duration: 60 min
Posted: Oct 20, 2015
Cast & Credits
|Concept, Direction and Co-Choreographer||Amy O'Neal|
|Performers and Co-Choreographers|
Alfredo "Free" Vergara Jr.
|Guest Performers from Dogg Pound Crew||Sammy Tekle|
Waylon Dungan aka WD4D
|Original voice over for Lateef’s solo||Kyana Saleem|
|Lighting Design||Amiya Brown|
|Floor & Wall Design||Ben Zamora|
|Costume Design||Wazhma Samizay + Danial Hellman|
|Management||Stefanie Karlin and Squid MGMT|
About The Artist
Amy O’Neal is a versatile dancer, performer, choreographer, and dance educator with one foot firmly planted in Hip Hop and Street Dance culture and the other in Contemporary dance and performance. She is passionate about the physical and philosophical intersection of these worlds, while honoring their cultural roots. For fifteen years, she has taught and performed throughout the US, Japan, Italy, and Mexico, and she has choreographed for stage, commercials, rock shows, galleries, dance films and music videos. Her work is an amalgam of her diverse movement and life experiences presenting social commentary with dark humor and heavy beats.
Amy’s work has been presented by On the Boards (Seattle, WA), PICA TBA Festival, (Portland, OR), Joyce Soho (NYC), Jacob’s Pillow Inside/Out (Becket, MA), Myrna Loy Center (Helena, MT), ODC (San Francisco, CA), Southern Theater (Minneapolis, MN), Project Motion (Memphis, TN), SUSHI (San Diego, CA), Off Center Festival (Costa Mesa, CA), Okinawa Prefectural Museum (Okinawa, Japan), Northwest Film Forum (Seattle, WA), RADAR: Exchanges in Dance Film Frequencies (Vancouver, BC), International Screendance Festival at ADF (Durham, NC), Next Moment Film Festival (Tokyo, Japan), Kyoto Art Center (Kyoto, Japan), Festival Danza Sin Frontreras UNAM (Mexico City, Mexico), and ProDanza Italia (Castigliencello, Italy).
She regularly teaches Contemporary Dance and Street Dance Styles at Velocity Dance Center and House dance at The Beacon: Massive Monkees studio in Seattle. She teaches dance composition and improvisation for Seattle Theater Group’s “Dance This” program. She has worked extensively with musician/comedian Reggie Watts since 2002 both on stage and screen. She choreographed his Comedy Central-produced “Fuck, Shit, Stack” video and toured nationally in his show “Disinformation”. From 2000-2010, she was co-director of locust (music/dance/video) with musician/composer Zeke Keeble, creating six evening length works and several shorter works.
Amy has been an artist in residence at Bates Dance Festival, Headlands Center for the Arts, the US/Japan Choreographer’s Exchange, and Velocity Dance Center. She is a Creative Capital, National Performance Network, National Dance Project, Mid Atlantic Arts, Foundation for Contemporary Art, and James W. Ray Project Venture/Artist Trust grantee. She is a two-time Artist Trust Fellow, Impultanz Vienna DanceWEB Scholar, and two-time Stranger Genius Awards nominee. Her dance writing has been published in Dance Magazine, City Arts Magazine, and ArtDish Forum. Amy is based in Seattle, WA and was awarded the first Distinguished Alumni Award from Cornish College of the Arts.
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