Experimental

Crafting a deeply satisfying mix of patterns and set structures, large-scale spectacle and delicate intimacy, recurrence and surprise, Schlichting’s newest work Stripe Tease embraces and slyly subverts dance history. Schlichting creates a beautifully designed, meticulously constructed dance world combining movement, visual art, and music.

In Thank you for Coming: Attendance, the premiere iteration in Driscoll’s three part series, performers pass through ever-morphing states of physical entanglement and scenes of distorted familiarity, building new bodies, new stories, and new ways of being around a constantly constructed and re-imagined group experience. Intimately staged in the round, Driscoll crafts a heightened reality of observation, invitation and interdependence.

Opposing Forces utilizes tropes of contemporary performance to expose fears around the feminine in our culture through the hyper masculine dance style of Breaking. With curiosity, vulnerability, and power, five world-class B-Boys uncover binary perceptions of gender using a range of dance contexts: battling, commercial dance, and cyphering.

BLEED is a large work that encompasses O’Connor’s love of complexity and layering in dance. It is the culminating work of a two-year project during which he constructed three other pieces, Secret Mary, poem and Sister, all from very different source material and each with an entirely different cast. He then collapsed these into this fourth work, simultaneously remembering and forgetting the previous dances. All 11 of the magical performers from the other works are here yet the movement material is gone.