A fierce band of Seattle-based artists presents an intensely visual, music-driven theatrical event. Predator Songstress is a modern-day fairy tale of an anti-heroine in search of her stolen voice, set in a world where the tools that are used to stifle and control are appropriated as means for individual realization. Prepare your eyes and ears for otherworldly visuals, gorgeous vocals, incredible costumes, merrily creepy earworms, and a singular butoh-meets-anime vision.
Crafting a deeply satisfying mix of patterns and set structures, large-scale spectacle and delicate intimacy, recurrence and surprise, Schlichting’s newest work Stripe Tease embraces and slyly subverts dance history. Schlichting creates a beautifully designed, meticulously constructed dance world combining movement, visual art, and music.
In Thank you for Coming: Attendance, the premiere iteration in Driscoll’s three part series, performers pass through ever-morphing states of physical entanglement and scenes of distorted familiarity, building new bodies, new stories, and new ways of being around a constantly constructed and re-imagined group experience. Intimately staged in the round, Driscoll crafts a heightened reality of observation, invitation and interdependence.
Opposing Forces utilizes tropes of contemporary performance to expose fears around the feminine in our culture through the hyper masculine dance style of Breaking. With curiosity, vulnerability, and power, five world-class B-Boys uncover binary perceptions of gender using a range of dance contexts: battling, commercial dance, and cyphering.
BLEED is a large work that encompasses O’Connor’s love of complexity and layering in dance. It is the culminating work of a two-year project during which he constructed three other pieces, Secret Mary, poem and Sister, all from very different source material and each with an entirely different cast. He then collapsed these into this fourth work, simultaneously remembering and forgetting the previous dances. All 11 of the magical performers from the other works are here yet the movement material is gone.
BLEED by Tere O'Connor
"An expert in compressing and expanding time, Mr. O’Connor allows us to lose track of it. “Bleed” suspends the watcher in its own webs of watching and being watched." - New York Times
Filmed at On the Boards, Fall 2014 | WATCH IT NOW
OntheBoards.tv Artistic Director Lane Czaplinski and OntheBoards.tv Manager Monique Courcy talk with Fractured Atlas about the program.
"Right now OntheBoards.tv gives access to people regardless of where they live, how much money they have, and what their schedules are like. I think that makes it a more interesting proposition, as more can enter into the dialogue."
Read the FULL INTERVIEW